“No comment” is often a go-to response when tough questions come up, especially in politics. It may seem safe, but it doesn’t solve anything. In the world of political maneuvering, quick thinking is crucial.
Petter Næss’ new film, titled “No Comment,” captures this sentiment. Blending comedy with political drama, it aims to match the brilliance of classics like Wag The Dog (1997) and the urgency of In The Loop (2009). Based on a light script by Ståle Stein Berg, Næss delivers a movie that’s enjoyable but may lack depth.
The story centers on Alma Solvik (Laila Goody), a popular Norwegian Prime Minister running for re-election. She appears competent, juggling her government duties and family life, with her husband, Sondre (Andres Baasmo), a stock broker known for writing about her. Polls indicate she may win, yet there’s uncertainty.
Chaos erupts when Sondre is accused of using insider information from Alma to profit at work. While insider trading isn’t illegal in Norway, it raises ethical questions. Sensing danger, Alma enlists her college friend and skilled spin doctor, Karianne (Pia Tjelta), to help manage the crisis. Karianne’s strategy? Shift the blame to Sondre, who is now trying to reshape his public image while living under the same roof as Alma.
Næss aims to make the film resonate globally while staying rooted in local culture. The film succeeds at times, especially in showcasing Norway’s preference for modesty and simplicity. However, the plot of political intrigue feels familiar to seasoned viewers.
Interestingly, Karianne’s character embodies manipulation and charm, further enriching the tension between the two lead actresses. While the film avoids naming real figures in Norwegian politics, it cleverly hints at actual parties. This adds layers of meaning, allowing audiences to draw connections beyond Norway.
Despite its ambitions, “No Comment” struggles with humor. The music, intended to enhance characters, often misses the mark. A sharper script could have delivered a more engaging experience. Ultimately, the film feels like a political satire aiming for mass appeal rather than a thought-provoking commentary.
Recent polls indicate that political thrillers remain popular, with audiences often searching for fresh perspectives on common themes. “No Comment” taps into this demand, but whether it stands out in a crowded genre remains to be seen.
For a deeper dive into the art of political satire, you can consult this report from Pew Research featuring insights into its impact on public perception.
