The film manages to deliver decent performances across the board, with no character feeling overwhelming or underwhelming. Sundar C and Hebah Patel shine as major characters, drawing the audience in with their engaging portrayals.
The first half of the movie holds up well, but things take a dip in the second half. It’s packed with too many rushed subplots that don’t quite connect. Flashbacks featuring Divakar and Aadhya could have been sharper, but the director, Mani, skillfully ties these moments back to the main story, which helps. Just when the film starts to pick up steam toward the end, it stumbles again. With too many twists and turns, the plot becomes muddled. The resolution feels like a rehash of typical tropes, leaning heavily on blackmail, which feels tired.
There’s an unexpected twist in the final act, but it leaves us questioning the story’s logic. For the twist to hold weight, we’re asked to overlook some key points that the protagonist, Divakar, should have caught onto about the family involved. The antagonist’s plan is downright unbelievable, offering many simpler paths to achieve the same goal.
Still, these flaws don’t completely overshadow the film’s strengths. Sundar C’s steady performance acts as a solid anchor throughout. Ultimately, Vallan is an enjoyable cop procedural that had the potential to be much better with a clearer focus on writing and direction. Simplifying key elements and cutting back on unnecessary details could have elevated it significantly.
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Vallan,VR Mani Seiyon,Sundar C,Tanya Hope