“Why CBS’s ‘DMV’ Has Classic Sitcom Potential Yet Fails to Shine: An In-Depth TV Review”

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“Why CBS’s ‘DMV’ Has Classic Sitcom Potential Yet Fails to Shine: An In-Depth TV Review”

It’s no secret that the Department of Motor Vehicles (DMV) can feel like a nightmare. Long lines and endless paperwork often create a tense atmosphere. In her new CBS sitcom “DMV,” Dana Klein gives us a glimpse behind the scenes at an East Hollywood DMV, where a diverse cast of characters—driving examiners, portrait takers, and document processors—struggle to navigate their hectic days.

The show kicks off with Colette, a bubbly examiner played by Harriet Dyer. She’s known for being overly generous with passing rates, earning the nickname “Easy Pass.” But even her sunny demeanor is tested when she faces a questionable driver. Along with her team—including Vic, the gym enthusiast, and Gregg, the cynical former teacher—Colette must also deal with the new branch manager, Barbara, whose mission to protect jobs from budget cuts adds more tension.

Like many shows, “DMV” stumbles at first. The pilot provides a peek into the quirky dynamics of the staff, but it doesn’t fully establish a unique story. However, the second episode, “Stay in Your Lane,” begins to pick up steam. On a sweltering day, Barbara enforces strict rules about the air conditioning, but Colette, eager to impress Noa, the attractive document processor, takes matters into her own hands, leading to a chaotic blackout.

By Episode 4, titled “Don’t Kill the Job,” Colette’s character journey deepens. Feeling insecure about her work life compared to an old friend’s success, she pretends to be a customer to save face. This farcical situation tests her relationships and prompts her to confront her own happiness.

Although “DMV” doesn’t hit a home run immediately, it contains the potential for an entertaining workplace comedy. As the characters become more defined and the storylines deepen, viewers may find themselves tuning in for more laughs and relatable moments.

An interesting point to note is that workplaces like the DMV often experience high turnover. Reports indicate that about 40% of public sector employees leave their jobs within the first two years. This could add a layer of realism to the sitcom as it explores the pressures of maintaining job satisfaction in a challenging environment.

As audiences settle in, “DMV” premieres on CBS on October 13, with new episodes airing weekly. The journey promises to bring both humor and reflection about navigating life—one visit at a time.



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CBS,DMV,Harriet Dyer,Tim Meadows