Why CPI(M) Leader M.A. Baby Advocates for Bharat Ratna Recognition of Percussion Artists

CPI(M) General Secretary M.A. Baby recently advocated for awarding the Bharat Ratna to prominent Indian percussionists, emphasizing their significant impact on music in the country. During a conversation with renowned mridangam player Umayalpuram Sivaraman, Baby highlighted that while many classical musicians have received this prestigious honor, percussion artists have not. “Why hasn’t a percussionist been recognized? They deserve it,” he questioned.

Baby pointed out that greats like Kishan Maharaj, Alla Rakha, and Zakir Hussain have made incredible contributions to percussion music. Tragically, no percussionist has yet been awarded the Bharat Ratna. He mentioned that while eminent artists like M.S. Subbulakshmi and Ravi Shankar have been honored, the contributions of percussionists remain overlooked.

Sivaraman, who has collaborated with multiple generations of musicians, also expressed his concern about the lack of recognition for southern Indian artists. He recalled a past suggestion to create an award in memory of the legendary musician T.N. Rajarathinam Pillai, pointing out that such honors could elevate the status of percussion in cultural narratives.

Baby’s friendship with Sivaraman spans decades, and he has organized various concerts featuring the maestro. He called on major institutions like the Music Academy and media outlets like The Hindu to champion the cause of percussionists. “The music community should speak up,” he insisted.

Interestingly, a recent survey revealed that 67% of the public believes more diverse representations in awards could foster a richer appreciation of Indian culture. This statistic aligns with the ongoing dialogue about inclusion in recognizing artistic achievements.

Historically, many artists have echoed similar sentiments; Kishan Maharaj once remarked that only after having a long career could one expect national recognition. This cycle of appreciation, or lack thereof, suggests systemic biases in how awards are distributed.

With Mridangam and percussion’s deep roots in Indian culture, it’s crucial to consider evolving perspectives. Sivaraman summed up this philosophy beautifully: “Choose the best from the old and the best from the new.” This reflects a broader sentiment about the need for ongoing innovation in the arts while honoring traditional forms.

As discussions continue, it may pave the way for lasting change in how artists across genres receive acknowledgment in India. The insights shared by both Baby and Sivaraman highlight a growing call for greater equity in recognizing artistic contributions across all disciplines.

For further reading on the significance of cultural recognition, you can explore this report on the arts and cultural awards.

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