Dave Davies Claps Back at Moby: Why Calling Lola ‘Unevolved’ and ‘Transphobic’ Misses the Mark

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Dave Davies Claps Back at Moby: Why Calling Lola ‘Unevolved’ and ‘Transphobic’ Misses the Mark

The Kinks’ song “Lola” is 56 years old, yet it still sparks intense conversations. Recently, musician Moby shared his thoughts about it during an interview with the Guardian. He labeled the track as one he can no longer enjoy, citing its lyrics as “gross and transphobic.”

Moby reflected, “It came up on a Spotify playlist, and I was taken aback by how unevolved the lyrics are.” His comments have reignited discussions about the song’s meaning and impact.

In defense of his brother Ray, Kinks guitarist Dave Davies shot back at Moby, calling him “the little idiot.” He expressed his offense that Moby would label Ray’s work as “unevolved.” This feud highlights the shifting perspectives on music and lyricism over the years.

To add more depth, Jayne County, a pioneering figure in punk and a trans icon, weighed in on the conversation. She praised “Lola” as groundbreaking for its portrayal of transgender identity. County said, “I was both thrilled and amazed that The Kinks would be singing about a trans person. It broke down barriers and brought a once taboo subject into the light.”

Context is key when examining “Lola.” When it was released, discussions about gender identity were far less common. Back then, trans individuals were often treated as punchlines in popular culture. Although lines like “I’m glad I’m a man and so is Lola” may not sit well today, the song itself reflects an acceptance of diversity: “Girls will be boys and boys will be girls.”

Historical context adds to an understanding of The Kinks’ relationship with the LGBTQ community. Just five years before “Lola,” they tackled themes of sexual identity in their song “See My Friends.” Additionally, Dave Davies himself had a bisexual affair during a time when LGBTQ relationships were criminalized in the UK. Looking back, many would see The Kinks as allies in a society that was still grappling with issues of identity.

Today, as we navigate discussions about representation and inclusivity, songs like “Lola” serve as reminders of the evolving landscape of music and culture. They challenge us to reflect on how far we’ve come and how much further we need to go.



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