You have to admire Hirokazu Kore-eda for his unique storytelling. He tackles heavy themes, like replacing lost children with AI, and transforms them into a hopeful story about families formed in unexpected ways. But while the idea is intriguing, the film struggles with a thin subplot and drags on longer than it needs to.
Set in a near-future, the film introduces us to architect Otone Komoto (Haruka Ayase) and her husband Kensuke (Daigo, a well-known comedian in Japan). They are grappling with the tragic loss of their son, Kakeru, who died two years ago in an accident. A company called REbirth offers them a lifelike replica of Kakeru, leading to the tagline, “you’re not ready to forget,” a nod to the film’s satirical edge.
When the new Kakeru arrives, Otone is instantly drawn to him, while Kensuke is skeptical, calling him just a “roomba.” Early scenes are sprinkled with humor as we learn about the peculiar “robot rules”—such as a GPS that prevents them from wandering too far from their parents and a strict no-water policy. Otone’s mother adds an extra layer of skepticism, but the film struggles to balance its moments of humor with the underlying sadness.
A potential subplot involves a group of neglected robots who want to befriend Kakeru. This idea, a common thread in Kore-eda’s work, feels underdeveloped. Unlike in his previous film, “Shoplifters,” where characters felt richly fleshed out, here they lack depth, weakening the film’s emotional impact, especially towards the climax.
When the film does get serious, it hits hard. One of the most touching moments is when a forgotten robot trails behind a family that has welcomed a new child. This raises interesting questions about what the new Kakeru can inherit from the original and how he learns. However, the emotional tension often falls flat. For those seeking a more in-depth exploration of grief, “After Yang” might be a better choice.
Despite the film’s flaws, the performances provide a glimmer of hope. As the narrative unfolds, it seems more mechanical than moving, leaving viewers wanting more from what could have been a deeply felt story.
### Expert Insight
Film critic Anna Smith notes that Kore-eda’s work often tackles complex themes through the lens of family dynamics. “In a world where technology keeps advancing, questions about identity and grief become increasingly relevant,” she explains. This film, while flawed, taps into conversations about how we connect with technology and each other.
### Related Statistics
Recent surveys show that over 60% of people believe AI can help fill emotional gaps left by loss. As technology continues to evolve, discussions surrounding its role in personal relationships will likely grow, making stories like this essential in understanding our future.
In summary, while Kore-eda’s film presents a fascinating premise, it ultimately feels like it could have gone deeper. With its heartwarming moments and a touch of comedy, it invites viewers to ponder the future of family, loss, and technology.
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