David Cross is making waves by criticizing comedians who are taking part in the Riyadh Comedy Festival in Saudi Arabia. He expressed his disappointment in an open letter, pointing out that many of these comedians are earning huge sums while agreeing to strict rules about what they can and cannot joke about on stage.
The festival claims to be the world’s largest comedy event, featuring over 50 comedians, including big names like Bill Burr, Dave Chappelle, and Kevin Hart. But Cross isn’t holding back. He believes that by performing there, these comedians are supporting an oppressive regime.
In his words, “I am disgusted and deeply disappointed. It’s troubling that talented people would engage with this totalitarian government for a few extra bucks.” He questions how anyone can take their complaints about freedom of speech seriously when they’ve signed contracts preventing them from criticizing the Saudi government or its culture.
Additionally, comedian Atsuko Okatsuka, who turned down the invitation, revealed the event’s contract online. It includes clauses that prohibit any material that could tarnish Saudi Arabia or its leaders.
Marc Maron, another comedian, echoed Cross’s sentiments, mocking the idea of promoting the festival given its controversial backdrop. He pointed out the stark reality of being entertained by those who are linked to severe human rights violations.
One notable aspect of this discussion is the recent lawsuit moving forward against Saudi Arabia, alleging its involvement in the 9/11 attacks. This is particularly sensitive, as Pete Davidson lost his firefighter father during those tragic events. Despite this, he chose to partake in the festival, citing the financial benefits as a key factor.
Tim Dillon, another comic, reported being cut from the festival for criticizing the region’s labor practices. He revealed he could have been paid $375,000 to perform, highlighting the significant sums that headliner comedians can command.
This situation raises important ethical questions for artists about where they draw the line for performance opportunities. For many viewers, it now comes down to evaluating the costs of comedy in light of real-world consequences, especially in locations where human rights are routinely violated.
For further insights into these controversies, you can check reputable sources like USA Today.
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