The long-awaited sequel, The Devil Wears Prada 2, brings back Meryl Streep as the formidable Miranda Priestly, the iconic editor of Runway magazine. It’s been 20 years since we last saw her icy brilliance, and things in the fashion world have shifted.
Miranda’s character now navigates a more sensitive landscape, emphasizing phrases like “body positivity.” Her assistant, Amari (played by Simone Ashley), reminds her to adapt. We even see Miranda catching her breath after hanging up her coat—a small gesture that captures the changing times.
Anne Hathaway returns as Andy Sachs, now an award-winning journalist facing new challenges. She’s back at Runway, aiming to restore the magazine’s credibility after a controversial decision by Miranda. The dynamics between them evolve, showing a different side to their relationship.
Emily Blunt’s Emily has moved on to become the head of luxury retail at Dior, where she thrives. Her relationship with a tech mogul, who mirrors figures like Jeff Bezos, adds a modern twist to the story. Meanwhile, Stanley Tucci reprised his role as Nigel, supporting both Miranda and Andy from the sidelines.
This sequel, penned by Aline Brosh McKenna, shifts focus to the challenges of print media. Runway struggles against digital competition, capturing the grim reality that many magazines face today. Did you know that in 2022, print media saw a decline of 12% in readership, according to a survey by the Pew Research Center? This context makes Andy’s journey relatable for anyone who understands the pressures of modern journalism.
The original Devil Wears Prada was inspired by Lauren Weisberger’s experiences with Vogue’s Anna Wintour. While the first film had its fair share of clichés—think “ugly duckling turns swan”—the sequel attempts to offer more substance. It explores how traditional media is adapting (or struggling) in a tech-driven world.
The humor remains in the film, with Miranda’s sharp insults still hitting hard, and Blunt’s portrayal of Emily continues to captivate. But would our favorites benefit from a tad less focus on the male characters? A bit more time with strong women would enrich the narrative.
As Miranda might say in her signature style, “That’s all.”
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