From a film critic’s view, Kenichi Ugana’s romcom kicks off with a surprising twist, reminiscent of a horror movie. The lead, Mizuhara Shina, played by Ui Mihara, finds herself in a dreadful interview where she only gives one-word answers. Her passion for acting has vanished, causing her to drag her boyfriend, Ren, to New York City in search of inspiration.
However, Shina’s trip is anything but enjoyable. She whines about everything — from the vastness of Central Park to the long Brooklyn Bridge. The weather frustrates her, and she struggles with tipping. When Ren asks what she likes about him, her superficial answer leads him to compare her to a designer bag. This remark devastates her, causing a rift between them. Soon, she finds herself alone in an unfamiliar city, with no money, no phone, and no way to explain her situation.
Lucky for her, fate intervenes. She meets Jack, played by Estevan Muñoz, a young assistant at a film studio who’s seeking a lead actress for his first film. Unbeknownst to him of her acting background, he offers her a place to stay, food, and a ticket home in exchange for her appearing in his movie.
What unfolds is a delightful culture clash. Shina and Jack struggle to communicate, relying on their phones for translation. Their interactions showcase a unique bond as they share their stories, bringing depth to their characters. As Shina begins to embrace the city, looking at it through Jack’s eyes, she learns to appreciate its diversity and charm.
This transformation isn’t just about love; it’s also about rediscovering her passion for filmmaking. Shina’s growth unfolds against the backdrop of a low-budget film shoot, filled with quirky characters and learning moments. Her initial wariness of the city’s different cultures fades away as she recognizes the kindness around her, adding layers to her character.
The film cleverly illustrates that while it’s predictable at times, it’s still immensely enjoyable. Supporting roles, like Jack’s boss played by Larry Fessenden, add humor and depth. A surprise cameo at the end brings a delightful twist. The energy of the cast and crew creates a relatable atmosphere, allowing viewers to feel their joy.
In a world where many feel disconnected, “I Fell In Love With A Z-Grade Director in Brooklyn” resonates. It reflects the journey of finding oneself in the chaos of life and celebrating all its quirky moments. With its heartwarming narrative and a fresh perspective on love and filmmaking, it’s a film worth watching.
As film enthusiast Roger Ebert once said, “It’s not what a movie is about, it’s how it is about it.” This sentiment shines through as Ugana pays homage to both high art and low-budget filmmaking, celebrating the beauty in both. Watchers are left with a sense of connection, warmth, and a newfound appreciation for the messiness of life.