“I can’t trust my brain right now,” says Ella, our confused protagonist in James L. Brooks’ latest film, “Ella McCay.” If only she realized that the issue wasn’t her brain—it’s the muddled script.
Ella, played by the talented Emma Mackey, grapples with a storyline that feels more tangled than engaging. It’s hard to believe this is the same director behind classics like “Broadcast News” and “Terms of Endearment.” In fact, Brooks admitted he crafted the script without a clear storyline. This might explain the mix of confusing characters and tired subplots that lead nowhere.
The film unfolds in three days during 2008 in an unnamed state. Ella, at just 34 years old, is one of the youngest lieutenant governors, balancing her political aspirations with her family’s chaotic history. Her father, played by Woody Harrelson, faces scandal, which prompts Ella to remain behind in her hometown while her family moves. Flashing forward 18 years, Ella is tangled in a new scandal: a lunchtime rendezvous with her husband, Ryan, played by Jack Lowden, in a state office.
As Ella navigates her sudden rise to power, Ryan grows frustrated. “He’s a ticking time bomb in your life,” warns her Aunt Helen, played by Jamie Lee Curtis—advice that Ella ignores to her peril. The tension between politics and personal life creates a backdrop that could be compelling, but instead feels rushed and unfinished.
The secondary story of Ella’s agoraphobic brother, Casey, complicates matters further. In a strange detour, Casey tries to reconnect with his ex-girlfriend, but even this subplot feels like an afterthought.
Critics have noted the lack of coherence in film scripts can often lead to disappointing results. A recent survey revealed that more than 70% of moviegoers prefer well-structured narratives over star power alone. Unfortunately, even the strong performances of actors like Jamie Lee Curtis and Ayo Edebiri can’t save this jumbled plot.
When the credits roll, viewers might join Ella in her frustration. This film attempts to wear many hats—political drama, family saga, and romantic comedy—but ends up falling flat across the board.
In short, “Ella McCay” shows promise but ultimately struggles to deliver a satisfying message. It’s a reminder that, in storytelling, less can sometimes be more.
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Ayo Edebiri, Jim Brooks, Emma Mackey, Rebecca Hall, Jamie Lee Curtis, Albert Brooks, Woody Harrelson, Jack Lowden, Scandals, Film Reviews, Arts and entertainment, Movies, Media, Julie Kavner, Jocelyn Noveck
