Exclusive Insights: HBO’s Casey Bloys Discusses ‘The Pitt’ Emmy Wins, the Future of ‘Hacks,’ and Release Dates for ‘Euphoria’ & ‘A Knight of the Seven Kingdoms’

Casey Bloys, HBO and Max’s CEO, is celebrating after an impressive Emmy night. The network’s combination of HBO and HBO Max scored 30 Emmy wins, highlighted by the limited series “The Penguin” and the newcomer “The Pitt.”

“The Pitt” grabbed accolades for drama series, lead actor (Noah Wyle), and supporting actress (Katherine LaNasa). This success is significant not just for the show but also for the industry, according to Bloys. He praises the creators, who focused on quality while sticking to a traditional TV structure of 15 episodes. Bloys emphasizes that producing this kind of show is no easy feat, especially today.

“It’s always a challenge to deliver high-quality episodes consistently,” he says. He believes that while big-budget productions like “The Last of Us” or “House of the Dragon” are impressive, there’s a lot to be said for shows like “The Pitt,” which aim for quality storytelling.

When asked about potential spinoffs, Bloys remains cautious. “We don’t want to rush it,” he says. Instead, they’re looking at developing new shows that follow a similar model to “The Pitt.”

In addition to “The Pitt,” Bloys reflects on the performance of other series. Despite “The White Lotus” being a previous Emmy darling, it only took home one award this year. “It was a victim of its own success,” he notes, mentioning how vote-splitting among multiple nominees can hinder a show’s chances.

The surprise of the night, Bloys reveals, was Jeff Hiller’s win for “Somebody Somewhere,” which he found particularly validating for the cast and crew. “That win is a boost for the show,” he adds, expressing hope that more audiences will discover it.

Looking ahead, Bloys is optimistic about the future. He hints at exciting upcoming projects, including the return of fan favorites like “Euphoria” and new series. “We have a lot to look forward to,” he states, noting that unexpected hits may emerge throughout the year.

Reflecting on the past, the Emmys have seen a shift. Awards are not just about big names anymore; smaller shows are gaining recognition. Bloys believes this trend could change how television is produced in the future.

To sum up, Bloys is thrilled with the Emmy wins, especially for “The Pitt.” It’s a reminder that quality storytelling and a traditional approach to show production still have a place in the ever-evolving landscape of television.



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