Exploring ‘Last Landscape’: A Captivating Journey Through Environment and Emotion at Buddies

Last Landscape is a unique performance now showing at Buddies in Bad Times Theatre, running until January 26. This show offers an engaging look at environmental themes through creative scenic design. It has received a rating of NNN (out of 5), thanks to its joyful use of puppetry and audience interaction.

What happens when you ask if a landscape can become a show? Adam Paolozza, the creator and director, pondered this while walking by Lake Ontario during the COVID-19 lockdowns. Fast forward five years, and his vision has come alive on stage.

In Last Landscape, a team of six performers brings to life various ecosystems, from a moonlit serenade to a sunny beach scene, right before the audience’s eyes. Impressively, just four percent of the materials used were bought new. The rest? All recycled or sourced sustainably, with a plan for their life after the show. The cast creatively uses plastic tarps, cardboard, and other scraps to explore environmental change through movement.

The performance is entirely wordless, yet it speaks volumes. Through their fluid movements, the ensemble—Nada Abusaleh, Nicolas Eddie, Gibum Dante Lim, Annie Luján, and Kari Pederson—invites deep reflection on humanity’s connection to nature. Their mismatched beige costumes, designed by Valerie Calam, add to the visual appeal, including playful roller skates worn by Luján. With thoughtful direction, the performers synchronize beautifully, drawing the audience into their world.

Adding depth to the experience, the sound design by SlowPitchSound features low-fi techno beats mixed with construction sounds that ebb and flow as different landscapes materialize. Cheldon Paterson, who operates the turntables live, harmonizes his beats with the performers’ actions. Andre du Toit’s lighting design plays a crucial role, using shadows and sudden bursts of light to enhance the scenes.

At the heart of this performance is the impressive scenic design by Ken MacKenzie and Paolozza. The cast builds expansive images that astound viewers, transforming the space into a moving gallery of artistic expression. The intricate details in each scene are both meditative and impressive.

Animal puppetry also brings a playful element to the show. Created by Puppetmongers Theatre, a playful dog and some silly geese take center stage, while a giant sloth puppet, crafted by Graeme Black Robinson, strolls through the performance, reminding us of ancient and future wildlife. These puppets not only capture the audience’s imagination but also create moments of lightheartedness, inviting laughter and interaction.

Clocking in at an hour and fifty minutes with an intermission, the pacing could benefit from shortening the show. Some scenes linger a bit too long, and the music can feel repetitive towards the end.

While Last Landscape might not appeal to everyone, those interested in a thought-provoking, eco-focused night at the theater will find it truly enjoyable.