If you had to choose a few key figures to represent the post-war American Jewish experience, you would have plenty of options. Think of filmmakers like Woody Allen and Steven Spielberg, or authors such as Saul Bellow and Philip Roth. Musicians like Bob Dylan and Barbra Streisand also come to mind, showcasing the diversity of talent in this community.
David Denby, a writer for The New Yorker, centers his book “Eminent Jews” on four fascinating personalities: Mel Brooks, Betty Friedan, Norman Mailer, and Leonard Bernstein. The title playfully references Lytton Strachey’s classic work, “Eminent Victorians,” which explored notable figures from a different era. Denby’s subjects, however, shine a light on New York City culture and its influence.
Mailer stands out among them, a true emblem of 1960s Americana. He was a Brooklyn kid who attended Harvard at just 16. Serving in the Pacific during World War II, he later became famous for his book “The Naked and the Dead.” Mailer was known for his outspoken personality, his tumultuous relationships, and his often controversial opinions. A testament to his complexity, he experienced both significant acclaim and personal struggles throughout his life.
While some of Mailer’s writings may feel dated today, others like “The Executioner’s Song” retain their power. Yet, the Jewish aspect of his identity isn’t the main focus; he embodied the broader cultural essence of the time. His life represented excess, experimentation, and tragedy—a mix that captivated audiences.
Denby attempts to capture the essence of Mailer, but the limitations of group biographies can mean missing finer details. Mailer’s intellect as a sociologist and psychologist was immense, evident in his engaging discussions with figures like Charlie Rose and William F. Buckley on YouTube.
Mel Brooks, often just called “Mel” by Denby, offers a different kind of charm. Growing up in a poor Brooklyn family, he became a master of comedy, contributing to famous shows like “Your Show of Shows” before creating iconic films like “The Producers.” Denby illustrates Brooks’ humor without overshadowing it with too much analysis, allowing readers to appreciate his comedic genius.
Friedan’s “The Feminine Mystique” became a landmark work in women’s rights, calling attention to the struggles women faced in society. However, as time passed, feminism evolved beyond her vision, prompting some criticism. Denby acknowledges this complexity but doesn’t delve deeply enough into her legacy, which feels like a missed opportunity.
Bernstein’s chapter is filled with admiration, yet it sometimes reads more like a timeline than a deeper exploration of his personality. Enthusiasts of his life and work may find value here, especially with renewed interest thanks to recent films like Bradley Cooper’s “Maestro.”
“All these figures played crucial roles in shaping American culture, even if none were the absolute best in their fields,” Denby suggests. Through their stories, the book serves as a reflection on the Jewish identity in American intellectual life, marking a poignant moment in history as this vibrant community faces change.
In recent years, statistics show a growing interest in diverse narratives. According to a 2023 Pew Research survey, about 75% of Jewish Americans feel a strong connection to their heritage, highlighting the ongoing relevance of these stories in today’s culture. As the landscape of American life continues to shift, the legacies of figures like Mailer, Brooks, Friedan, and Bernstein remain vital touchpoints.
For more insights into American Jewish culture, you can explore resources like the American Jewish Archives or the Jewish Virtual Library.
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