“Drop” is a fun and quirky mystery that blends tech fears with the reality of abuse, creating a thrilling ride. Directed by Christopher Landon, known for his work on “Happy Death Day” and “Paranormal Activity,” the film masterfully weaves together complex setups, bringing us a story that feels both tight and entertaining. Set in a fancy restaurant, it’s a captivating thrill-fest that mixes kidnapping, conspiracy, and murder with the nerves of a first date.
The movie opens with a tense scene—a couple threatening each other at gunpoint. This gripping prologue sets the stage for what’s to come. We then meet Violet (played by Meghann Fahy), a widowed mother preparing for her first date with Henry (Brandon Sklenar), an attractive photographer she met online. With her cheeky sister Jen (Violett Beane) by her side, she gets ready while Jen looks after her sweet 5-year-old son, Toby (Jacob Robinson).
At the upscale restaurant Palate, Violet experiences a mix of excitement and anxiety. The space is alive with a vibrant staff, including Jeffery Self’s amusingly eager waiter. As she waits for Henry, we witness her nervousness and the buildup of tension, foreshadowing something dark ahead. As the night progresses, Violet receives increasingly disturbing instructions, which thrust her into a dangerous game involving a masked gunman threatening her family via a security camera.
The anonymous messages start off as playful internet memes sent through a feature similar to AirDrop. But soon, the tone shifts to more menacing texts displayed around her, keeping the mystery alive. Violet feels the weight of paranoia as she scans the restaurant for potential suspects, and the tension mounts as the story unfolds. The film skillfully maintains a brisk pace, allowing us to stay engaged despite the repetitive actions of Violet’s struggle.
Violet tries to alert Henry that something is wrong, but she quickly realizes she has to hold back. As she navigates this perilous situation, we see her anxiety blend with the excitement of a budding romance. This duality draws viewers in, making us invested in her relationship with Henry. While the threat to her loved ones looms large, we also wonder if Violet can find love again after her painful past.
The film explores heavy themes of manipulation and control, resonating with anyone who has faced toxic relationships. Violet’s story highlights her struggle against an unyielding villain who seems to know her every move. This deep connection makes her dynamic with Henry all the more compelling, especially when we realize he has faced challenges of his own.
As “Drop” barrels toward its action-packed conclusion, the stakes are high. But it’s not just about survival; it’s about seeing if Violet and Henry can kindle their connection into something more meaningful. The film’s ability to smoothly transition into a romantic thriller, despite its over-the-top premise, makes it a time well spent.
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Christopher Landon,Drop,SXSW
