Roger Deakins is a renowned cinematographer, working with big names like the Coen brothers and Sam Mendes. He has won two Oscars and is celebrated for his unique visual style. But when asked about what cinematography really is, he finds it tricky to define. “It’s about telling a visual story,” he explains, emphasizing the collaborative nature of filmmaking.
Deakins has a vast body of work. He’s created stunning visuals in films ranging from the bleak landscapes of No Country for Old Men to the vibrant scenes in Blade Runner 2049. Each project involves complex teamwork, and he often jokes that he might not have all the answers about his craft.
His wife, James Ellis Deakins, sheds more light on his work. She helps coordinate the efforts of various departments on set. She notes that a cinematographer’s job is to frame and light each shot to evoke specific feelings like joy or fear. Often, viewers might not even realize that the cinematography has influenced their emotional response; they just know they enjoyed the film.
Deakins recently co-authored a book titled Reflections: On Cinematography, where he shares insights from his career. In it, he describes the cinematographer as a storyteller, a light sculptor, and a problem-solver. He reflects on his experiences, such as how he created the illusion of natural light in The Shawshank Redemption, a technique that surprised even seasoned professionals.
When he thinks back on his past, Deakins admits that not everything was clear-cut. His upbringing in Torquay, England, was tough, with his mother suffering from illness. He initially struggled with direction, but found his calling in photography, eventually working on notable films like 1984.
Deakins believes that his unique journey—filled with diverse experiences—has shaped his artistry. He emphasizes the importance of life experience in creating meaningful film. The art of cinematography can vary widely depending on the director, which is why building a strong relationship with a director is critical.
Despite his success, he remains grounded. Hollywood today is very different from when he started. The rise of AI in filmmaking and a shift towards franchise films present new challenges for traditional, character-driven storytelling. Recently, there has been criticism aimed at modern cinematography, especially regarding the aesthetics of streaming platforms. Viewers have expressed dissatisfaction with poor lighting and a flat look in many films.
Deakins, reflecting on these changes, notes that “not every movie is made to be visual art.” He feels that quick production methods often compromise the storytelling aspect. He and his wife have taken to sharing their knowledge through their podcast, Team Deakins, and promoting meaningful discussions in the filmmaking community.
In this ever-evolving industry, Deakins holds onto a simple idea: work shouldn’t just be about glitz and glamour. Whether you’re a farmer or a filmmaker, the key is to love what you do.
Reflections: On Cinematography releases soon, and with it, Deakins hopes to inspire both current filmmakers and newcomers.
For further insights into the world of cinematography, you can visit Team Deakins or explore some of Deakins’s photography here.
