Unleashing the Howl: A Deep Dive into the Timeless Classic ‘Wolf Man’

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Unleashing the Howl: A Deep Dive into the Timeless Classic ‘Wolf Man’

“Oregon is weird.” That’s a warning I’ve shared before, especially after spending four summers there. The forests are dense, and strange things lurk in the woods. Sure, some of those things are human, but there’s also an unsettling presence that feels more real in Oregon than anywhere else. If you ever find yourself in those woods, heed my plea: don’t disturb them.

This brings me to the film “Wolf Man.” It successfully introduces its lore, something many movies overlook. Without context, we don’t know the rules that guide the story, making it tough to engage with. But “Wolf Man” sets clear boundaries that help us understand its world.

Set in a reality mixed with the supernatural, the film showcases characters with ordinary lives. Yet, there’s a lurking darkness, the kinds of creatures that make you glance over your shoulder at night. It’s as if the eerie stories told by mountain men come to life here.

Director Leigh Whannell crafts this universe with care. His guidance is easy to follow and adds to the film’s overall quality. “Wolf Man” is decent, offering moments that shine alongside the mundane.

Sound design plays a crucial role in this film. It’s not something I usually highlight, but the work by P.K. Hooker stands out. The sound shifts, combined with Benjamin Wallfisch’s score, create a tense atmosphere. Just when you start to relax, a high note or a low rumble brings the tension back. There are moments when you forget you’re watching a film, feeling completely immersed in the action.

However, the dialogue falters at times. Some lines feel clunky, making even talented actors struggle. Christopher Abbott, who impressed in “Poor Things,” doesn’t shine here, especially when delivering lines like, “Sometimes when you’re a daddy, you’re so afraid of scarring your kids you become the thing that scars them.” That’s a tough one for anyone to deliver with impact.

Julia Gardner’s performance also lacks chemistry with Abbott. Their roles as Blake and Ginger seem more like a forced partnership than a struggling couple. The rush to get to the horror detracts from their backstory, which could have added depth.

Despite its flaws, “Wolf Man” isn’t all bad. It’s engaging enough to keep your attention, and if you’re looking for a fun movie night, it fits the bill. However, it risks fading into the background of forgettable monster movies.

In summary, “Wolf Man” offers a mix of thrills and disappointments. While it might not be a classic, it captures the dark spirit of the Oregon woods and offers some scares along the way.



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