Unlock the Power of the Blackmagic PYXIS 12K Camera: In-Depth Video Interview with Experts | CineD

Blackmagic Design recently unveiled its much-anticipated PYXIS 12K camera, sparking considerable interest in the filmmaking community. We had the chance to chat with Craig Heffernan from Blackmagic Design at NAB about this new model, addressing many of your key questions.

The PYXIS 12K keeps the same body design as last year’s PYXIS 6K, which means it features familiar ergonomics and connection options. The main upgrade is its full-frame RGBW sensor, originally found in the URSA Cine 12K. This sensor allows for recording in stunning 12K resolution without cropping.

Why RGBW Is Special

The RGBW sensor is a game-changer. It records Blackmagic RAW video in various resolutions from full 12K down to 4K without cropping. Unlike standard Bayer sensors that often crop the image for lower resolutions, the RGBW technology allows for full sensor readout. Craig explained that this method results in more detailed 4K images compared to the conventional line skip approach, enhancing the overall quality.

The camera can also adjust its readout based on framing needs, varying from open gate mode to specific aspect ratios like 16:9 or 2.4:1, offering greater flexibility in capturing high-frame-rate footage.

Speed and Performance

The readout speeds of the PYXIS 12K are slightly slower compared to the URSA Cine 12K due to differences in processing and cooling. However, it’s still considerably fast—doubling the speeds across recording modes compared to earlier models. Recent tests show that readout speeds are around 24.12 to 15.34 milliseconds in 12K, depending on settings.

Challenges with ND Filters

One area where the new camera has received mixed feedback is its lack of internal ND filters. As Craig shared, the camera’s design closely mirrors that of the PYXIS 6K, making the addition of an internal filter system difficult without significant design changes. However, they hope to address this in future models.

The PYXIS 12K does include an Optical Low-Pass Filter (OLPF) to help reduce moire and an optimized IR cut filter.

Autofocus Development

The new model aims to improve autofocus capabilities seen in the recently updated Blackmagic Cinema Camera 6K. Craig indicated that while they aim to enhance autofocus functionality for the PYXIS 12K, it will require extensive engineering due to its unique sensor technology.

Power Consumption and Media Options

The power consumption for the PYXIS 12K remains consistent across resolutions, drawing about 60-80 watts. It includes two CFexpress slots and a USB-C port for external recording, though filmmakers should be aware of the potential for dropped frames with high-bitrate recordings on slower media.

Audio and Stabilization Features

For sound, the PYXIS 12K offers a single-channel audio input, primarily for scratch audio to sync with high-quality external recordings. It also features an in-built gyroscope for stabilizing shots, and this data is embedded directly into the footage for post-production use.

Pricing Update and Availability

The PYXIS 12K is set to ship in July 2025, with a starting price reflecting recent tariff increases. Initially priced at $4,995, the new cost is $6,595—but prices may vary by region. In Europe, for example, it can be pre-ordered for around €4,855 plus VAT.

As filmmakers cautiously embrace new technology, the coming months will reveal how the PYXIS 12K performs in real-world settings. What are your thoughts on this camera? Have you used the PYXIS 6K or URSA Cine 12K? Share your experiences and opinions as we anticipate this new entry into the world of cinematography.

For more details on the PYXIS 12K and comparisons with existing models, check out Blackmagic Design’s official forum here.

Source link

12K,full-frame,camera,cinema,PYXIS,blackmagic design,NAB 2025,bmd,PYXIS 12K,RGBW