Watching events unfold in our world often stirs deep feelings. Racism, hatred, and political maneuvering can be hard to ignore. At the heart of this struggle is a story that revolves around Sidney Poitier, a remarkable actor who broke barriers as the first African American to win an Oscar for Best Actor in 1964 for “Lilies of the Field.”
“Retrograde,” a play by Ryan Calais Cameron, takes us back to the 1950s, featuring a pivotal meeting between Poitier and a lawyer named Mr. Parks. This lawyer, played by Alan Dale, is not just a powerful figure; he’s steeped in racist beliefs and the era’s tricky politics. Poitier, portrayed by Donné Ngabo, enters this high-stakes situation. At this time in his career, Poitier is still finding his footing, having recently turned down a significant role due to principle. His close friend Bobby, played by Josh McConville, sees this movie as crucial for his own career growth.
From their first meeting, the tension is apparent. Mr. Parks expects Poitier to condemn communism and denounce a prominent friend, revealing the pressure placed on him during the McCarthy era. This time in history was notorious for targeting African Americans and dissenters, and Poitier suddenly finds himself at the center of these oppressive forces.
Director Bert LaBonté skillfully captures the film’s emotional weight. The intense performances add depth to their characters, with Ngabo reflecting Poitier’s essence remarkably well. Reviews highlight the cast’s ability to shift seamlessly between emotions, creating a captivating experience for the audience.
Set designer Zoe Rouse transports us to a different time with a stunning office backdrop. Elements like an outside eavesdropping setup add to the atmosphere. High-quality sound and lighting by Jethro Woodward and Rachel Lee further enhance the experience.
As the play progresses, we’re reminded of the struggles faced by Poitier and others during those oppressive times. It begs the question: Have we learned from history? A recent survey indicates that 63% of people feel racism remains an issue in today’s society, suggesting that while we’ve made strides, much work still lies ahead.
“Retrograde” runs for 90 minutes without intermission at the Fairfax Studio, Arts Centre Melbourne, until June 27, 2026. It serves as a mirror, reflecting both past and present challenges. Are we truly wiser today? Only time will tell.
Alex First, editor of The Blurb, is a journalist and communications expert based in Melbourne, specializing in film and theatre.
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