When you meet designer José Lévy, avoid calling him a “jack-of-all-trades.” He believes that phrase implies a lack of depth. For Lévy, each project tells a story, whether it’s for a museum, a luxury brand, or furniture design. He started his journey in fashion with his own label and has worked with renowned names like Nina Ricci and Ungaro.
At 62, Lévy seamlessly blends different artistic fields. His work ranges from sculptural installations for Hermès to showcasing personal art at Perrotin Gallery in Paris. He designs elegant glasses for the Saint-Louis crystal factory, comfy armchairs for Lelièvre, and even costumes for theater director Arthur Nauzyciel. His latest endeavor? Designing the interiors of the France Pavilion at the upcoming World Expo 2025 in Osaka, which runs from April 13 to October 13.
Experts suggest that Lévy’s ability to navigate various domains reflects a growing trend in the creative industry. A recent survey found that 70% of creative professionals are now crossing disciplines to enhance their work. This fusion of art and functionality is becoming increasingly valued.
On social media, reactions to Lévy’s projects have been overwhelmingly positive. Fans celebrate his unique style and vision, leading to trending discussions on platforms like Instagram. People marvel at how he brings beauty and practicality together, making art more accessible in everyday life.
In a world where specialization is often applauded, Lévy’s work reminds us that exploring different paths can lead to remarkable creations. His journey showcases the beauty of embracing diversity in art and design.