Venice has long been known as the world’s most glamorous film festival, and this year was no different, with big stars like Julia Roberts and George Clooney making headlines. Yet, the films this year carried a heavier message than in the past, reflecting urgent global issues.
Jury president Alexander Payne may have wanted to focus solely on cinema, but the films told stories that mirror today’s realities. Two powerful films directed by women were standout hits, both tackling tragic situations that many would rather avoid discussing.
One such film, The Voice of Hind Rajab, directed by Kaouther Ben Hania, dramatizes a heartbreaking event: the death of a five-year-old girl in Gaza. It unearthed raw emotions and earned a 23-minute standing ovation, with audiences chanting “Free Palestine.” The film includes a real audio call from Rajab, pleading for help while she was trapped in a car after a deadly attack. This depiction forced viewers to confront painful truths about conflict.
Ben Hania expressed her urgency in making the film. “I just felt I had to do something,” she said. “At least, with this film, I wasn’t silenced.”
Kathryn Bigelow returned after eight years with A House of Dynamite, a film that portrays a nuclear strike and the moments leading up to it. Bigelow emphasized that her work aims to provoke discussions about nuclear weapons, questioning their role in global security. “How is annihilating the world a good defensive measure?” she asked, urging us to reflect on our choices.
Cinema today has become a lens through which we view our chaotic world. Yorgos Lanthimos’s Bugonia features a high-powered executive kidnapped by conspiracy theorists, allegorizing our inaction on climate change. Lanthimos warns, “Humanity is facing a reckoning very soon.”
Park Chan-wook’s No Other Choice takes a satirical look at job insecurity. His story follows a factory employee forced to eliminate competition. “We all harbor that deep fear of employment insecurity,” he noted, reflecting widespread concerns in today’s economy.
Even Frankenstein, directed by Guillermo del Toro, stirred conversations about AI ethics. Jude Law’s portrayal of Vladimir Putin in The Wizard of the Kremlin brings politics into focus, emphasizing how modern politics has been shaped by figures like Putin.
The trend of filmmakers addressing political issues is growing. Recent festivals, like the San Sebastián film festival, are calling attention to global crises, and many in the industry are vocal about current events. For instance, actor Hugh Bonneville made headlines when he openly discussed the situation in Gaza at a red carpet event.
This year’s Venice Film Festival showcases how cinema is not just entertainment; it reflects and reacts to the world we live in. As audiences, we are invited to engage with these stories and consider their implications in our lives.


















