‘Predator: Badlands’ Review: Why the ‘Prey’ Director’s Latest Will Make You Cheer for the Slayer

For nearly 40 years, the “Predator” franchise has captivated fans with tales of fearsome cosmic hunters, known as Yautja. However, without Arnold Schwarzenegger, the films have struggled to maintain their edge. Recently, “Predator: Badlands” aims to shift that narrative.

Directed by Dan Trachtenberg, the film introduces us to Dek, the underdog son of a Yautja chieftain. Unlike his fierce kindred, he strives to prove himself by venturing to Genna, dubbed the “planet of death.” Here, he takes on the daunting mission of hunting the Kalisk, a creature feared even by his father.

At first glance, it looks like classic “Predator” fare. But “Badlands” offers something fresh. It immerses us in a bizarre new world, trusting us to catch on alongside Dek.

This film falls into a favorite category: one where we jump into an entirely new culture without much hand-holding. Science fiction often shines in these moments, echoing classics like “Pitch Black.” In “Badlands,” we’re introduced to strange plants and creatures—vines that snatch supplies and slugs that explode. It’s like a survival game, where every choice matters.

Dek arrives with traditional Yautja weaponry. Yet, the film cleverly strips him of this advantage, forcing him to get creative. Unlike many sci-fi worlds, Genna isn’t inherently hostile—the air is breathable and the temperatures are manageable. However, its unique dangers keep Dek on his toes.

As he explores, Dek meets Thia, a synthetic being reminiscent of characters from the “Alien” series. Stripped of legs due to an earlier encounter with the Kalisk, she becomes a practical guide for Dek. Though her condition presents challenges, it’s her universal language function that lets audiences connect with her without subtitles. Thia adds depth to the story, while also serving to contrast with another synthetic named Tessa, portrayed by Elle Fanning. Tessa has a more ruthless personality, showing that not all machines are created equal.

The film echoes themes of self-discovery and defying stereotypes. Dek’s perceived weakness turns into his greatest strength as the story unfolds—a familiar yet powerful narrative arc. Unlike many animated films that promote pacifism, “Badlands” embraces action and violence, proving effective for its intended audience.

Despite its dark themes, the film manages to weave in humor, a refreshing element sorely missing from previous installments. With moments that offer levity amid chaos, it propels the story while also expanding the Yautja mythology.

Surprisingly, “Badlands” holds a PG-13 rating, a departure from most past films in the franchise, which typically received an R. This decision sparks discussions about the effectiveness of current movie rating systems, especially with content that might be unsettling for younger viewers.

In summary, “Predator: Badlands” not only revives interest in the franchise but introduces vital themes about teamwork and challenging the norms of strength. As Dek learns, there’s more to being a Yautja than just being tough.

In a world filled with endless sequels and reboots, “Badlands” manages to carve a niche for itself, making a case for its potential future in a changing cinematic landscape.



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Dan Trachtenberg,Elle Fanning,Predator: Badlands